Coatwick

Designed for the Vizsla

The Vizsla collection

Six pieces drawn for a lean, balanced dog with nothing to hide behind. The Hungarian countryside, in cool colors against a golden coat: a baroque palace at blue hour, the Great Plain in frost, a summer morning on Lake Balaton, the Tokaj vineyards. Every piece is cut to one dog from three measurements.

See it on your dog

Couture

Ensembles of three and four pieces, layered and styled.

Esterháza

Couture · Wool broadcloth · €460

A frogged broadcloth jacket with a short cape stitched flat to one shoulder, a silk shirt and a flat silk cord across the chest.

Short and fitted, ending behind the ribs, with a short cape stitched flat to one shoulder so the other stays free.

  • Short fitted wool broadcloth jacket ending behind the ribs, rows of cream silk-cord frogging across the chest and along the side, plain round domed buttons, a low, soft stand collar edged in cord, sleeves to the elbow
  • Short sleeveless cape in the same cloth, edged in curly faux astrakhan, stitched flat to the near shoulder along its whole top edge, ending above the elbow
  • Ivory silk shirt, its soft band collar lying flat inside the jacket's collar and its cuffs at the elbow
  • Cream silk cord stitched flat across the chest below the collar in a single shallow loop, with no tassels

Hortobágy

Couture · Felted wool · €440

An embroidered felt coat over a lambswool knit, with a woven band at the neckline and a small flat felt pocket.

Cut to the croup, with the embroidery on a broad collar and the front edges, where a solid golden coat carries it cleanly.

  • Felted wool coat to the croup, a broad square collar lying flat across the shoulders, the collar and front edges embroidered with tulips and leaves, fastening at the side with a braided cord loop
  • Lambswool knit in navy, at the neck and as sleeves to the elbow
  • Narrow woven band in the two colors of the embroidery, stitched along the neckline
  • Small flat felt pocket with one embroidered tulip, fixed to the side of the coat

Tihany

Couture · Herringbone linen · €340

A short tailored herringbone linen jacket with a deeper linen collar and cuffs and a calf chest strap.

A wide notched collar lies on the shoulders and never on a white chest patch, with deeper linen cuffs at the elbow.

  • Short tailored jacket in fine herringbone linen, small dark chocolate leather-covered buttons at the side
  • Wide notched collar lying flat on the shoulders, never standing up the neck, and turned-back cuffs on sleeves ending at the elbow, both in a deeper, smooth linen
  • Fine ivory cotton lining, showing only as a narrow edge inside the cuffs
  • Slim dark chocolate calf chest strap with a small plain silver buckle, low between the forelegs

Essentials

Single pieces, the ones worn most days.

Sopron

Essentials · Twill and flannel · €190

A reversible coat, cotton twill on one face and brushed flannel on the other, bound at every edge.

The everyday coat, town side or field side out. With no undercoat, whichever face is inside lies next to the skin, so both faces are finished smooth.

  • Reversible: cotton twill on one face, brushed cotton flannel on the other, bound at every edge
  • Cut to the croup with a curved hem, a narrow flat collar
  • Plain toggles on cord loops at the side, working either way out

Tokaj

Essentials · Brushed flannel · €150

A shirt-jacket in brushed wool-cotton flannel with a windowpane check and a curved shirt-tail hem.

The one check in the collection, which reads cleanly because nothing on a solid golden coat competes with it.

  • Brushed wool-cotton flannel with a windowpane check
  • One-piece shirt collar lying flat, two flap pockets on the sides
  • Plain snaps along the side, a curved shirt-tail hem at the croup

Mátra

Essentials · Lambswool · €210

A lambswool sweater with saddle shoulders, a crew neck and a ribbed hem.

Knitted with saddle shoulders, so the armhole sits back and clear of the long, reaching stride.

  • Lambswool knitted with saddle shoulders, a strip running along the top of each shoulder into the neck
  • Crew neck at the base of the neck, a ribbed hem ending behind the ribs
  • Opens along the back with flat snaps

Why it fits a Vizsla

The cut

Drawn for the Vizsla's own shape, and cut to three measurements you take at home with a sheet of paper. You approve them before anything is cut.

  • Balanced: The standards describe a medium, lean dog a little longer than tall, neither long and low nor tall and leggy. The pieces are mid-length: the back panel runs to the croup and stops there.
  • A chest carried back: The chest is deep, reaching the elbows, with the breastbone reaching as far back as possible and the last ribs carried well back. The chest panel runs to the last rib, and the belly strap sits just behind it, on the slight tuck-up.
  • A clean neck: The neck is of medium length, arched and without dewlap, with tight skin at the throat. It can carry a low stand collar, so the collars follow the neck as it broadens into the shoulders and sit at its base, below the long ears.
  • Long shoulders, a long stride: The shoulders are long, sloping and flat, and the trot far reaching. Armholes are cut high and set back, nothing crosses the front of the shoulder, and the sweater is knitted with saddle shoulders.
  • Muscle: The AKC standard never penalizes a brawny or sinewy dog, so the pieces carry ease over the shoulders and thighs rather than being cut skin-tight to a show-lean dog.
  • One short coat: The coat is short and dense with no undercoat, and the skin fits tightly, so linings are smooth and seams are bound flat on the inside. Every back hem ends at the croup in a curve that clears the tail set, docked or natural.
  1. Neck: Around the base of the neck, where it broadens into the shoulders. The low collars here start from this line.
  2. Chest: Around the deepest part of the chest, just behind the front legs. On a Vizsla the ribs are carried well back, and so is the chest panel.
  3. Back: From the base of the neck to the base of the tail, docked or natural. The pieces end at the croup.

The breed facts are from the FCI and AKC Vizsla standards.

Made to be worn

Every piece fastens at the side or along the back, so nothing goes over the head.

Colors for the coat

  • Deep russet gold: Petrol, slate blue, bottle green, navy, lilac, cream
  • Lighter sandy gold: Navy, petrol, bottle green, aubergine, slate blue
  • The lighter saddle over the neck and shoulders: A collar a full step darker or cooler than the saddle
  • A small white patch on the chest: A colored neckline, or a pale one that sits above the patch

A piece in the same tone as the fur disappears into it. Every look is cut in more than one color, chosen by this rule.

  • Deep russet gold: Disappears in rust, copper, cognac, terracotta, brick, tan leather
  • Lighter sandy gold: Disappears in camel, sand, oat, mustard, gold; cream and lilac are too close to read
  • The lighter saddle over the neck and shoulders: Disappears in a collar in camel, sand or any tone near the saddle
  • A small white patch on the chest: Disappears in ivory or white lace, knit or silk lying on the patch

How it is fitted

It is cut to three measurements: neck, chest and back. You approve all three before anything is cut. After you commission, you take them at home with a sheet of paper, and we show you the numbers. How it is measured

The promise

If a finished measurement is more than 2 cm off the numbers you approved, or the piece gapes or pulls, we remake it once, free, and you send nothing back. Because it is cut to one dog, it cannot be returned.

How it goes on

Every piece fastens at the side or along the back, so nothing goes over the head. Collars lie flat or sit low at the base of the neck, below the long ears, and nothing is tied at the throat. Sleeves stop at the elbow, hems end behind the ribs or at the croup, and the legs and the tail stay free. With no undercoat, every face that touches the coat is finished smooth.

Shown on

  • Esterháza: Shown in midnight navy with cream frogging on a deep russet gold Vizsla, the forecourt and iron gates of a baroque palace at blue hour. Bottle green with cream frogging, for lighter sandy gold coats.
  • Hortobágy: Shown in petrol felt with cream embroidery on a lighter sandy gold Vizsla, the open plain beside a long white stone bridge, frost on the grass. Cream felt with petrol and bottle green embroidery, for deep russet gold coats.
  • Tihany: Shown in lilac herringbone with an aubergine collar and cuffs on a young deep russet gold Vizsla, the stone terrace of a lakeside villa on Lake Balaton, early in the morning, the water still and pale. Slate-blue herringbone with a navy collar and cuffs, for lighter sandy gold coats.
  • Sopron: Shown in navy reversing to bottle green on a lighter sandy gold Vizsla with a small white chest patch, a cobbled square in a small old town, early in the morning. Petrol reversing to cream, for deep russet gold coats.
  • Tokaj: Shown in bottle green with a cream windowpane on a deep russet gold Vizsla, terraced vineyards in late summer, a small stone press house above. Navy with a petrol windowpane, for lighter sandy gold coats.
  • Mátra: Shown in aubergine on a senior lighter sandy gold Vizsla, the snowy porch of a guesthouse in the hills. Slate blue, for deep russet gold coats.

The pattern is redrawn for your dog's shape.

Try on